10.07.2014

Andrew Blyszak

Bums

Why did you love the bums?
Nothing better than a good bum.

Where would you keep this picture if you owned it?
This one would be blown up and sat atop of my sofa.

Who do you think has the best bum in history?
I want to say mine but...

What's the secret to the perfect bum? 
Truthfully no idea, I’ve been trying for years without luck.

What's your favourite brand of jeans?
Levi’s 501: the 1992 cut.

What's the best bum moment on screen?
Pamela Anderson in Barb Wire.

What bums you out?
Having to go to the store for more cigarettes.

What are you looking forward to about autumn?
Turtle necks.

What was the last thing you bought?
I’m currently in Oslo and found these incredible chocolate covered liquorice bars.

Joan Didion



Misery is feeling estranged from people I love. Misery is also not working. The two seem to go together.






10.03.2014

9.29.2014

9.26.2014

Watts



We are therefore a civilization which suffers from chronic disappointment — a formidable swarm of spoiled children smashing their toys.

Tender Is The Night

born_on_this_day  reblog

9.25.2014

Mar de Lenguas

The Blues



I can enjoy feeling melancholy, and there is a good deal of satisfaction about being thoroughly miserable; but nobody likes a fit of the blues.


Jerome K. Jerome

9.24.2014

9.23.2014

A Sort of Present




There was once a mother who had a very hard time indeed, emotionally, inside.

As she remembered it, she had always had a hard time, even as a child. She remembered few of her childhood's specifics, but what she could remember were feelings of self-loathing, terror, and despair that seemed to have been with her always.

From an objective perspective, it would not be inaccurate to say that this mother-to-be had had some very heavy psychic shit laid on her as a little girl, and that some of this shit qualified as parental abuse. Her childhood had not been as bad as some, but it had been no picnic. All this, while accurate, would not be to the point.

The point is that, from as early an age as she could recall, this mother-to-be loathed herself. She viewed everything in life with apprehension, as if every occasion or opportunity were some sort of dreadfully important exam for which she had been too lazy or stupid to prepare properly. It felt as if a perfect score on each such exam was necessary in order to avert some shattering punishment.1 She was terrified of everything, and terrified to show it.

The mother-to-be knew perfectly well, from an early age, that this constant horrible pressure she felt was an internal pressure That it was not anyone else's fault. Thus she loathed herself even more. Her expectations of herself were of utter perfection, and each time she fell short of perfection she was filled with an unbearable plunging despair that threatened to shatter her like a cheap mirror.2 These very high expectations applied to every department of the future mother's life, particularly those departments which involved others' approval or disapproval. She was thus, in childhood and adolescence, viewed as bright, attractive, popular, impressive; she was commended and approved. Peers appeared to envy her energy, drive, appearance, intelligence, disposition, and unfailing consideration for the needs and feelings of others3; she had few close friends. Throughout her adolescence, authorities such as teachers, employers, troop leaders, pastors, and F.S.A. Faculty Advisers commented that the young mother-in-waiting 'seem{ed} to have very, very high expectations of {her}self,' and while these comments were often delivered in a spirit of gentle concern or reproof, there was no failing to discern in them that slight unmistakable note of approval--of an authority's detached, objective judgment and decision to approve--and at any rate the future mother felt (for the moment) approved. And felt seen: her standards were high. She took a sort of abject pride in her mercilessness toward herself.4

By the time she was grown up, it would be accurate to say that the mother-to-be was having a very hard interior time of it indeed.

When she became a mother, things became even harder. The mother's expectations of her small child were also, it turned out, impossibly high. And every time the child fell short, her natural inclination was to loathe it. In other words, every time it (the child) threatened to compromise the high standards that were all the mother felt she really had, inside, the mother's instinctive self-loathing tended to project itself outward and downward onto the child itself. This tendency was compounded by the fact that there existed only a very tiny and indistinct separation in the mother's mind between her own identity and that of her small child. The child appeared in a sense to be the mother's own reflection in a diminishing and deeply flawed mirror. Thus every time the child was rude, greedy, foul, dense, selfish, cruel, disobedient, lazy, foolish, willful, or childish, the mother's deepest and most natural inclination was to loathe it.

But she could not loathe it. No good mother can loathe her child or judge it or abuse it or wish it harm in any way. The mother knew this. And her standards for herself as a mother were, as one would expect, extremely high. It was thus that whenever she 'slipped,' 'snapped,' 'lost her patience' and expressed (or even felt) loathing (however brief) for the child, the mother was instantly plunged into such a chasm of self-recrimination and despair that she felt it just could not be borne. Hence the mother was at war. Her expectations were in fundamental conflict. It was a conflict in which she felt her very life was at stake: to fail to overcome her instinctive dissatisfaction with her child would result in a terrible, shattering punishment which she knew she herself would administer, inside. She was determined--desperate--to succeed, to satisfy her expectations of herself as a mother, no matter what it cost.

[...]

So it went, throughout his childhood and adolescence, such that, by the time the child was old enough to apply for various licenses and permits, the mother was almost entirely filled, deep inside, with loathing: loathing for herself, for the delinquent and unhappy child, for a world of impossible expectations and merciless judgment. She could not, of course, express any of this. And so the son — desperate, as are all children, to repay the perfect love we may expect only of mothers — expressed it all for her.

1 Her parents, by the way, did not beat her or ever even really discipline her, nor did they pressure her.

2 Her parents had been low-income, physically imperfect, and not very bright--features which the child disliked herself for noting.

3 The phrases lighten up and chill out had not at this time come into currency (nor, in fact, had psychic shit; nor had parental abuse or even objective perspective).

4 In fact, one explanation the soon-to-be mother's own parents gave for their disciplining her so little was that their daughter had seemed so mercilessly to upbraid herself for any shortcoming or transgression that disciplining her would have felt 'a little bit like kicking a dog.'

9.22.2014

Templo

El Poeta




A moody child and wildly wise
Pursued the game with joyful eyes,
Which chose, like meteors, their way,
And rived the dark with private ray:
They overleapt the horizon's edge,
Searched with Apollo's privilege;
Through man, and woman, and sea, and star
Saw the dance of nature forward far;
Through worlds, and races, and terms, and times
Saw musical order, and pairing rhymes.


Ralph Waldo Emerson

El Rebelde

9.19.2014

Hunter



We are At War now — with somebody — and we will stay At War with that mysterious Enemy for the rest of our lives.

9.18.2014

Botas

Troya

It is very unhappy, but too late to be helped, the discovery we have made that we exist.








That discovery is called the Fall of Man.

Wilde


9.17.2014

Christine, Una Prostituta





A sketch by Vincent Van Gogh of the first woman return his love: Christine, a prostitute.


Otis

Tu Flecha


Bump our Heads on all the Hard Walls




Your letters are certainly like drinks of fine cold spring water on a hot day — They have a spark of the kind of fire in them that makes life worthwhile. — That nervous energy that makes people like you and I want to go after everything in the world — bump our heads on all the hard walls and scratch our hands on all the briars — but it makes living great — doesn’t it — I’m glad I want everything in the world — good and bad — bitter and sweet — I want it all and a lot of it too —


Georgia O’Keeffe

9.10.2014

Beautiful Losers



She alone of all the world believes that fucking is holy, dirty, and beautiful. 

9.09.2014

Sweet Nothings




They had loved each other before marriage with a pure and lofty love. They had first met on the sea-shore. He had thought this young girl charming, as she passed by with her light-colored parasol and her dainty dress amid the marine landscape against the horizon. He had loved her, blond and slender, in these surroundings of blue ocean and spacious sky. He could not distinguish the tenderness which this budding woman awoke in him from the vague and powerful emotion which the fresh salt air and the grand scenery of surf and sunshine and waves aroused in his soul.
She, on the other hand, had loved him because he courted her, because he was young, rich, kind, and attentive. She had loved him because it is natural for young girls to love men who whisper sweet nothings to them.

So, for three months, they had lived side by side, and hand in hand. The greeting which they exchanged in the morning before the bath, in the freshness of the morning, or in the evening on the sand, under the stars, in the warmth of a calm night, whispered low, very low, already had the flavor of kisses, though their lips had never met.

Each dreamed of the other at night, each thought of the other on awaking, and, without yet having voiced their sentiments, each longer for the other, body and soul.


Guy de Maupassant // Indiscretion

La Irresponsabilidad de este Amor



Lovers seek for privacy. Friends find this solitude about them, this barrier between them and the herd, whether they want it or not.

[...]

In a circle of true Friends each man is simply what he is: stands for nothing but himself. No one cares twopence about anyone else’s family, profession, class, income, race, or previous history. Of course you will get to know about most of these in the end. But casually. They will come out bit by bit, to furnish an illustration or an analogy, to serve as pegs for an anecdote; never for their own sake. That is the kingliness of Friendship. We meet like sovereign princes of independent states, abroad, on neutral ground, freed from our contexts. This love (essentially) ignores not only our physical bodies but that whole embodiment which consists of our family, job, past and connections. At home, besides being Peter or Jane, we also bear a general character; husband or wife, brother or sister, chief, colleague, or subordinate. Not among our Friends. It is an affair of disentangled, or stripped, minds. Eros will have naked bodies; Friendship naked personalities.

Hence (if you will not misunderstand me) the exquisite arbitrariness and irresponsibility of this love. I have no duty to be anyone’s Friend and no man in the world has a duty to be mine. No claims, no shadow of necessity. Friendship is unnecessary, like philosophy, like art, like the universe itself… It has no survival value; rather it is one of those things which gave value to survival.

C. S. Lewis

Pizcas Cerebrales

9.04.2014

Unreason




I'm tired of facts, I'm tired of speculations, I want to be consumed by unreason. I want to be swept along. Right now I don't care what goes on under her blanket. I want to be covered with unspecific kisses. I want my pamphlets  praised. Why is my work so lonely? It is past midnight, the elevator is at rest. The linoleum is new, the faucets tight, thanks to F.'s bequest. I want all the comes I did not demand. I want a new career. What have I done to Edith, that I can't even get her ghost to stiffen me? I hate this apartment. Why did I have it redecorated? I thought the table would look nice yellow. O God, please terrify me. The two who loved me, why are they so powerless tonight? The belly button useless. Even F.'s final horror meaningless. I wonder if it's raining.

Say Hello

Café


9.03.2014

Come On

Pentagrama


Dream Cave




Don’t read books!
Don’t chant poems!
When you read books your eyeballs wither away
leaving the bare sockets.
When you chant poems your heart leaks out slowly
with each word.
People say reading books is enjoyable.
People say chanting poems is fun.
But if your lips constantly make a sound
like an insect chirping in autumn,
you will only turn into a haggard old man.
And even if you don’t turn into a haggard old man,
it’s annoying for others to have to hear you.

It’s so much better
to close your eyes, sit in your study,
lower the curtains, sweep the floor,
burn incense.
It’s beautiful to listen to the wind,
listen to the rain,
take a walk when you feel energetic,
and when you’re tired go to sleep.

9.02.2014

Lluvia Ven

Herzog


Westley





This snake and mouse cuddle under the heat lamp every night. He refuses to eat this particular mouse. They've lived together for a year.

what if the world was similar to how Buddha describes it, and we all just get recycled but the soul remains and is created into something else. And when two that loved each other for lifetimes meet in the most particular way or chance. One is a mouse, and the other is the snake. The situation is perfect. Their owner is a wo/man who is understanding, and allows their relationship to flourish.

/u/sayneelee





Good night, Westley. Good work. Sleep well. I'll most likely kill you in the morning.

8.28.2014

Todo comenzó con un sueño y un plan

Agosto

IMG_3021

Endlessly





When we love someone, we see them as smarter, wittier, prettier, stronger than anyone else sees them. To us, a beloved parent, partner, or child has endlessly more talent, potential, and virtue than mere strangers can ever discern. Being loved, when we are born, keeps us alive; without love for her child, how could any new mother manage or any child survive? And if we grow up surrounded by love, we feel secure in the knowledge that others believe in us, will champion and defend us. That confidence — that we are loved and therefore lovable — is an essential building block of our identity and self-confidence. We believe in ourselves, at least in part, because others believe in us and we depend mightily on their belief. As human beings, we are highly driven to find and to protect the relationships that make us feel good about ourselves and that make us feel safe.. Those mirrors confirms our sense of self-worth. Love does the same thing … and that seems to be just as true even if our love is based on illusion. Indeed, there seems to be some evidence not only that all love is based on illusion — but that love positively requires illusion in order to endure.


Margaret Heffernan // Willful Blindness: Why We Ignore the Obvious at Our Peril

8.26.2014

Acuerdo

A Short Novel







Two people together, in any kind of relationship—mother, son; father, daughter; lovers; it doesn’t matter. One of them acutely neurotic. The neurotic hands on his or her state to the other, who takes it over, leaving the sick one well, the well one sick.





Doris Lessing // The Golden Notebook.

8.25.2014

Vida Real

Encandilados


Proteo




Eres invulnerable. ¿No te han dado
los números que rigen tu destino
certidumbre de polvo? ¿No es acaso
tu irreversible tiempo el de aquel río

en cuyo espejo Heráclito vio el símbolo
de su fugacidad? Te espera el mármol
que no leerás. En él ya están escritos
la fecha, la ciudad y el epitafio.

Sueños del tiempo son también los otros,
no firme bronce ni acendrado oro;
el universo es, como tú, Proteo.

Sombra, irás a la sombra que te aguarda
fatal en el confín de tu jornada;
piensa que de algún modo ya estás muerto.



J. L.  Borges

8.22.2014

Quiet, Love

Let


Existen Mujeres Llamadas Desiré







We treat desire as a problem to be solved, address what desire is for and focus on that something and how to acquire it rather than on the nature and the sensation of desire, though often it is the distance between us and the object of desire that fills the space in between with the blue of longing. I wonder sometimes whether with a slight adjustment of perspective it could be cherished as a sensation on its own terms, since it is as inherent to the human condition as blue is to distance? If you can look across the distance without wanting to close it up, if you can own your longing in the same way that you own the beauty of that blue that can never be possessed? For something of this longing will, like the blue of distance, only be relocated, not assuaged, by acquisition and arrival, just as the mountains cease to be blue when you arrive among them and the blue instead tints the next beyond. Somewhere in this is the mystery of why tragedies are more beautiful than comedies and why we take a huge pleasure in the sadness of certain songs and stories. Something is always far away.




After all we hardly know our own depths.


Rebecca Solnit

BP

8.20.2014

Ella Conserva Abejas

Henceforth

Markus Schinwald - Empty Kingdom - Art Blog





. . .for the terrible agony which I have so lately endured — an agony known only to my God and to myself — seems to have passed my soul through fire and purified it from all that is weak. Henceforth I am strong: — this those who love me shall see — as well as those who have so relentlessly endeavored to ruin me.

POE, to Mrs. Helen Whitman (1848)

8.15.2014

8.08.2014

Hasta Que Su Corazón Estuvo Enjaulado







I met a shell of a mountain who knew she was finished
claimed she grew up from a grain of sand
with every year wider she bloomed a little bit longer
to the roof of the sky with outstretched hands
she made friends with the sun, shared enemies with no one
counted weeks like she should of counted days
and swallowed handfuls of night so she could sleep tight
and turn her thoughts from its stone cold ways

and this was the beginning, the start of the ending
you can't die from a broken heart
but from the time the sun rose
to the space where it fell away
she would love, and it wouldn't take part
and every every day she would echo echo
in every single way she should let go let go
but it had her in its sights cupids icy arrows

so she caught every one with her heart like it was her duty
it walked the wrong wrong way down her one way plan
she was surrounded by forests, rivers and beauty
until that glacier froze over the land
and so she blamed herself hated her wealth
she was born at too young of an age
and every night her dreams were touched by witches fingers
until her heart was caged.
with every morning spent not caring if she cares or not
sleeping in the melt and mud, waiting for the earth to rot
burying herself alive she scrapes the hole that it left open
empty as her very heart, that mountain was all broken
all broken, that mountain was all broken

now I can see that her bloods red and she’s got feelings and they always get spilled both without thinking.

8.07.2014

Los Planos

F


Let's Get Lost


Never to get lost is not to live












There’s another art of being at home in the unknown, so that being in its midst isn’t cause for panic or suffering, of being at home with being lost.

Lost is mostly a state of mind, and this applies as much to all the metaphysical and metaphorical states of being lost as to blundering around in the backcountry.

The question then is how to get lost. Never to get lost is not to live, not to know how to get lost brings you to destruction, and somewhere in the terra incognita in between lies a life of discovery.



Rebecca Solnit


Brain Pickings

8.06.2014

Demoledor de Ciudades

La Gentil Estacada

No Mask



I now see that sorrow, being the supreme emotion of which man is capable, is at once the type and test of all great art. What the artist is always looking for is the mode of existence in which soul and body are one and indivisible: in which the outward is expressive of the inward: in which form reveals. Of such modes of existence there are not a few: youth and the arts preoccupied with youth may serve as a model for us at one moment: at another we may like to think that, in its subtlety and sensitiveness of impression, its suggestion of a spirit dwelling in external things and making its raiment of earth and air, of mist and city alike, and in its morbid sympathy of its moods, and tones, and colours, modern landscape art is realising for us pictorially what was realised in such plastic perfection by the Greeks. Music, in which all subject is absorbed in expression and cannot be separated from it, is a complex example, and a flower or a child a simple example, of what I mean; but sorrow is the ultimate type both in life and art.

Behind joy and laughter there may be a temperament, coarse, hard and callous. But behind sorrow there is always sorrow. Pain, unlike pleasure, wears no mask. Truth in art is not any correspondence between the essential idea and the accidental existence; it is not the resemblance of shape to shadow, or of the form mirrored in the crystal to the form itself; it is no echo coming from a hollow hill, any more than it is a silver well of water in the valley that shows the moon to the moon and Narcissus to Narcissus. Truth in art is the unity of a thing with itself: the outward rendered expressive of the inward: the soul made incarnate: the body instinct with spirit. For this reason there is no truth comparable to sorrow. There are times when sorrow seems to me to be the only truth. Other things may be illusions of the eye or the appetite, made to blind the one and cloy the other, but out of sorrow have the worlds been built, and at the birth of a child or a star there is pain.

More than this, there is about sorrow an intense, an extraordinary reality. I have said of myself that I was one who stood in symbolic relations to the art and culture of my age. There is not a single wretched man in this wretched place along with me who does not stand in symbolic relation to the very secret of life. For the secret of life is suffering. It is what is hidden behind everything. When we begin to live, what is sweet is so sweet to us, and what is bitter so bitter, that we inevitably direct all our desires towards pleasures, and seek not merely for a ‘month or twain to feed on honeycomb,’ but for all our years to taste no other food, ignorant all the while that we may really be starving the soul.


Wilde

8.05.2014

8.04.2014

Julia



Sex. The difficulty of writing about sex, for women, is that sex is best when not thought about, not analysed. Women deliberately choose not to think about technical sex. They get irritable when men talk technically, it’s out of self-preservation: they want to preserve the spontaneous emotion that is essential for their satisfaction.

Sex is essentially emotional for women. How many times has that been written? And yet there’s always a point even with the most perceptive and intelligent man, when a woman looks at him across a gulf: he hasn’t understood; she suddenly feels alone; hastens to forget the moment, because if she doesn’t she would have to think.

Julia, myself and Bob sitting in her kitchen gossiping. Bob telling a story about the breakup of a marriage. He says: ‘The trouble was sex. Poor bastard, he’s got a prick the size of a needle.’ Julia: ‘I always thought she didn’t love him.’ Bob, thinking she hadn’t heard”
“heard: ‘No, it’s always worried him stiff, he’s just got a small one.’ Julia: ‘But she never did love him, anyone could see that just by looking at them together.’ Bob, a bit impatient now: ‘It’s not their fault, poor idiots, nature was against the whole thing from the start.’ Julia: ‘Of course it’s her fault. She should never have married him if she didn’t love him.’ Bob, irritated because of her stupidity, begins a long technical explanation, while she looks at me, sighs, smiles, and shrugs. A few minutes later, as he persists, she cuts him off short with a bad-tempered joke, won’t let him go on.



Doris Lessing // The Golden Notebook

7.31.2014

7.30.2014

Muchacho

Torre de Canción




So he lent her books. After all, one of life’s best pleasures is reading a book of perfect beauty; more pleasurable still is rereading that book; most pleasurable of all is lending it to the person one loves: Now she is reading or has just read the scene with the mirrors; she who is so lovely is drinking in that loveliness I’ve drunk.

Amidst the other grey, red, greenish, black and orange volumes of various heights, this white book with the black lettering was perfectly proportioned in every way, neither showy nor insignificant. It was one of his favorite books (we can’t say his favorite since his life wasn’t over yet). He mentioned it, and she was willing to accept it; she was that kind, to read the book which he loved.

At the moment that it actually passed from his hand to hers they were sitting across from each other in one of the three or four restaurants where they usually met; and she, having gazed into his face with her usual richly intelligent seriousness, studied the book she now held with the same air of happy possession which he would have hoped to find had she been looking over his body before making love with him, which she would never, ever do no matter how long they both lived, a fact which made him want to utter a sound much softer and more leaden than any scream; and then, sitting within touching distance of her beautiful hands which he could not touch, he watched her open the book to the title page with its half-calligraphic brush-rendering by an unknown artist of a Buddhist pongmalai garland, probably of jasmine flowers, which was draped across a woman’s naked thigh. This was the most intimate moment that he and she would ever have (unless of course his one percent became a hundred, and she accepted him forever). He would not be at her side when she began to actually read the book; but from their frequent conversations he thought he could keep abreast of where she’d arrived each day. She’d promised to begin it that very night, when she was home with the other man, which meant that she would at least cross the frontier of the half-title page, followed by the dramatic double plant-stalks (connected by a leaf ), of the initial letter E. And now she saw before her those wide white margins and those generous white lines-between-the-lines which encouraged every word to preen itself like the treasure that it truly was.

There were many towers, just as in this world there are many perfect books.




William T. Vollmann // Europe Central


Causa y Efecto


7.29.2014

En el Corazón de Cada Hombre Descansa una Bestia Salvaje




It is a fact, then, that in the heart of every man there lies a wild beast which only waits for an opportunity to storm and rage, in its desire to inflict pain on others, or, if they stand in his way, to kill them. It is this which is the source of all the lust of war and battle. In trying to tame and to some extent hold it in check, the intelligence, its appointed keeper, has always enough to do. People may, if they please, call it the radical evil of human nature—a name which will at least serve those with whom a word stands for an explanation. I say, however, that it is the will to live, which, more and more embittered by the constant sufferings of existence, seeks to alleviate its own torment by causing torment in others. But in this way a man gradually develops in himself real cruelty and malice. The observation may also be added that as, according to Kant, matter subsists only through the antagonism of the powers of expansion and contraction, so human society subsists only by the antagonism of hatred, or anger, and fear. For there is a moment in the life of all of us when the malignity of our nature might perhaps make us murderers, if it were not accompanied by a due admixture of fear to keep it within bounds; and this fear, again, would make a man the sport and laughing stock of every boy, if anger were not lying ready in him, and keeping watch.

SCHOPENHAUER

Nunca Nunca

Elena (I found Shostakovich)




//I feel it’s the worst cynicism to, to, to besmirch yourself with ugly behavior and then speak beautiful words. I, do you know, I think it’s preferable to say ugly words and not commit illegal acts . . .  But nothing could take me away from him now! He was everything to me. He—and Elena, of course.

//His fingers spread out on the table and he seemed to be playing a complex chord on the piano, or perhaps milking Elena’s left breast—how I loved him for his happiness!

On one of those assassination visits, which now numbered more than the total number of Allied bombing raids on Berlin, he’d confided to me that there was a certain other world he sometimes lived in, a world beneath the piano keys;

//but who can go there? Only Shostakovich himself? Can Elena go there, too? She left him because she didn’t want to go there; but what if she’d actually left him because he believed her capable of entering that world and she knew that she couldn’t? Whenever I listen to Opus 40 I believe that she can, but if that’s the case, where did the operation break down? He’d told me that toward the end she was really trying; she framed the first page of the score to Opus 40, a composition which was truly her as he knew her; and she hung it up on the wall of her little flat on Kirovsky Prospekt in Leningrad, to show him that she, that she, you know (these last six words come verbatim from Shostakovich). All right, but could he ever bring her there? Please God, why not?



William T. Vollmann // Europe Central.

Junio

7.25.2014

Wolfe

Resurección




Escuché los huesos de recien nacidos chocando contra el vidrio,
como cucarachas rociadas con insecticida en un cartón de cerveza ques está vacío desde hace años bajo el lavadero,
agonizando,
yo solo quería volver a casa,
robar todas las plantas en el camino,
cantarle al Señor,
        bañarme en el río,
la gente hablaba un idioma desconocido,
las luces de celofán y en medio tu,
con el ceño fruncido,
un mano en el pecho,
             la otra en el vino,
mirando el infierno en que me he convertido,
por lo alto un halcón cruzó el cielo amarillo,
dos tipos altos hablaban de amor, de insecticida y suicidio,
yo solo quería volver a casa,
robar todas las plantas en el camino,
cantarle al Señor,
        bañarme en el río,
resucitar en Viernes y morir en Domingo.


Flood


7.24.2014

El Favorito del Señor

Postmatemática

When we are learning the world, we know things we cannot say how we know. When we are relearning the world in the aftermath of a loss, we feel things we had almost forgotten, old things, beneath the seat of reason.








When we talk about love, we go back to the start, to pinpoint the moment of free fall. But this story is the story of an ending, of death, and it has no beginning.



O'Rourke

7.23.2014

Mechanics




Love is a mystery but the mechanics of love need not be. 






"JON" - GEORGE SAUNDERS





Julio

7.22.2014

Unseemly







But now it seemed to me that Hamlet was moody and irascible in no small part because he is grieving: his father has just died. He is radically dislocated, stumbling through the days while the rest of the world acts as if nothing important has changed.

For the trouble is not just that Hamlet is sad; it is that everyone around him is unnerved by his grief. When Hamlet comes onstage, his uncle greets him with the worst question you can ask a grieving person: “How is it that the clouds still hang on you?” Hamlet’s mother, Gertrude, tries to get him to see that his loss is “common.”

No wonder Hamlet is angry and cagey; he is told that how he feels is “unmanly” and unseemly.

Meghan O'Rourke

Brain Pickings 

7.21.2014